Adhesives for Paper Crafting

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Most Notorious Serial Killers

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Dennis Nilsen   Taking the lives of 15 boys and men over a five year period from 1978 to 1983, some being homeless, others who he met in pubs, Nilsen’s first victim’s fate was sealed on 29th December 1978 when he was invited to go to Nilsen’s garden flat after meeting him in a London pub. In an effort to stop the man from leaving the next morning, Nilsen strangled him with a tie whilst he was still sleeping, before drowning him. He then proceeded to wash the victim prior to disposing of the body under the floorboards, something he came to use regularly, along with wardrobes, basin units and garden sheds. By 1981, Nilsen had killed 12 people at his current flat and in 1982 he moved to a top floor flat in Muswell Hill, London. This flat meant that when he killed again – and he would, a further 3 times – he would have to find another way of disposing of the bodies. To solve his problem, he took to boiling the heads of his victims and after dissecting the bodies into
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Works-LEONARDO da Vinci

Although Leonardo produced a relatively small number of paintings, many of which remained unfinished, he was nevertheless an extraordinarily innovative and influential artist. During his early years, his style closely paralleled that of Verrocchio, but he gradually moved away from his teacher's stiff, tight, and somewhat rigid treatment of figures to develop a more evocative and atmospheric handling of composition. The early The Adoration of the Magi introduced a new approach to composition, in which the main figures are grouped in the foreground, while the background consists of distant views of imaginary ruins and battle scenes. Leonardo's stylistic innovations are even more apparent in The Last Supper, in which he re-created a traditional theme in an entirely new way. Instead of showing the 12 apostles as individual figures, he grouped them in dynamic compositional units of three, framing the figure of Christ, who is isolated in the center of the picture. Seated before a
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